Film Review: The Naked City (1948)

Also known as: Homicide (working title)
Release Date: March 4th, 1948
Directed by: Jules Dassin
Written by: Albert Maltz, Malvin Wald
Music by: Miklós Rózsa, Frank Skinner
Cast: Barry Fitzgerald, Howard Duff, Dorothy Hart, Don Taylor

Mark Hellinger Productions, Universal Pictures, 96 Minutes


“There are eight million stories in the naked city. This has been one of them.” – Narrator

The Naked City is a really important film in history for how it popularized the police procedural story in fiction. It’s not the first but it is the most popular of the procedural films at the time. The genre style was alive in the literature of the time but it hadn’t quite taken off in film before this picture. Plus, this sort of marries the police procedural drama with film-noir.

Directed by noir giant Jules Dassin, who was also behind the camera on Brute ForceThieves’ HighwayNight and the City and Rififi, this is probably his best known picture. In fact, it’s popularity spun off into a television series. It even went on to inspire some DLC content for the 2011 video game L.A. Noire, seven decades later.

The movie is partially told in a semidocumentary style, similar to noir pictures like T-Men and He Walked by Night. This helped with the police procedural narrative and kept things feeling pretty authenitc and real, well as authentic and real as a Hollywood picture could be at that time.

In this film, we follow around a veteran cop and a young cop, as they try and solve the murder of a young model. We go through all their procedures and see how they use their intuition, science and detective skills to catch the killer.

While this is probably the most highly regarded of Dassin’s films, it’s not my favorite. I actually prefer Brute Force and Night and the City more. I also think that Thieves’ Highway is on par with this, if not slightly better because of how good the performances were. The Naked City is still darn good, however.

The cinematography is exceptional, especially in regards to how New York City was shot. I was really impressed with the scene where the two men ride the construction elevator up the side of a building, as the backdrop of the city behind them drops. There is a lot of energy just from how certain things in this film were captured when it would have been much easier for Dassin and his cinematographer, William H. Daniels, to have shot things much simpler or on closed sets. They really brought New York City alive, though. In the end, they won the Academy Award for Black and White Cinematography.

The Naked City is a pivotal film in history because it popularized a narrative style that might even be at its strongest now, in the 2010s. How many procedural cop shows are there now? Many of them have been on for over a decade and had spin-offs and spin-offs of their spin-offs.

Rating: 7/10
Pairs well with: Other Dassin film-noirs: Brute ForceNight and the City, Thieves’ Highway, etc. Also T-Men and He Walked by Night.

2 thoughts on “Film Review: The Naked City (1948)

  1. Great review. I would say Rififi is Dassin’s best, most influential film, if not his best known. He took the stellar heist scene in Asphalt Jungle and elevated it to an art form. That said, Naked City is really good. Haven’t seen Racket Girls. Will do something about that.

    Liked by 1 person

    • Still haven’t seen Rififi. It’s been in my queue for awhile. A lot of the Dassin stuff is on FilmStruck right now, so I’ll get to it in the very near future.

      Liked by 1 person

Leave a Reply

Please log in using one of these methods to post your comment: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s