Release Date: August 8th, 1951 (New York premiere)
Directed by: Felix E. Feist
Written by: Art Cohn, Felix E. Feist, Guy Endore
Music by: Daniele Amfitheatrof
Cast: Ruth Roman, Steve Cochran, Lurene Tuttle, Ray Teal, Bobby Hyatt
Warner Bros., 90 Minutes
“I came to New York from up state. I was gonna be a dancer. I was a brunette. Started on my toes and wound up on my heels.” – Catherine “Cay” Higgins
Tomorrow Is Another Day isn’t a film-noir that is highly regarded or even all that remembered. Like its director Felix E. Feist, it flies under the radar of historical significance but probably needs a bit more light shown on it.
It stars Ruth Roman and Steve Cochran, two actors that also probably deserve more recognition than they’ve gotten. They both had pretty good careers and had the chops to carry any picture. This film works so well because of their abilities, their chemistry and all of that being enhanced by the very capable Feist, behind the camera.
This could have actually been a better film than what it ended up being, had it followed the traditional film-noir framework and had a tragic ending. Instead, we get a soft and sweet ending where the two lovers on the lam come out unscathed. This was probably a last minute change due to the darker ending not testing well with audiences. In a way, this film sort of had the same fate as Douglas Sirk’s 1949 film-noir Shockproof. Actually, there are a lot of similarities between the two films in the happy ending and overall narrative.
Sappy, sweet ending aside, I liked this picture a great deal. Sure, it is mostly a cookie cutter noir and you’ll watch it feeling like you’ve seen this movie a dozen times over but Roman and Cochran are just so good on screen that you’re still lured in.
The sweet family that lives down the street also add a lot to the film. The husband is played by Ray Teal, who usually just had bit parts. Teal got to show his talents here. Teal’s wife is played by Lurene Tuttle, an accomplished actress and very likable here. The couple’s son comes to life through child actor Bobby Hyatt, who was the kid actor featured in more film-noir pictures than any other child in Hollywood.
Tomorrow Is Another Day is certainly better than average but not a classic. It works for what it is, even if it falls flat in the final moments. Still, the building of suspense and the paranoia of the characters was interesting to watch and experience.
Pairs well with: Douglas Sirk’s Shockproof.