Release Date: February 6th, 1998
Directed by: Antoine Fuqua
Written by: Ken Sanzel
Music by: Harry Gregson-Williams
Cast: Chow Yun-fat, Mira Sorvino, Michael Rooker, Jürgen Prochnow, Danny Trejo, Clifton Collins Jr.
Brillstein-Grey Entertainment, WCG Entertainment Productions, Columbia Pictures, 87 Minutes
“Hostage etiquette: kidnapper pays the incidentals.” – Meg Coburn
I haven’t seen this since it was in theaters twenty years ago. I liked it back in the day, especially because it gave American audiences a look at the great Chow Yun-fat, a guy I loved in several Hong Kong gangster films. Plus, back in the late ’90s, I was crushing hard on Mira Sorvino. I probably still am, truth be told.
This is a pretty fast paced film with a fairly short running time. But that’s good, as it doesn’t really let up once it gets going, which is almost immediately.
The story follows John Lee, a hitman hired by a Chinese mob boss to kill the young child of a police officer who killed the boss’ criminal son. Lee has the young kid in his crosshairs but decides not to murder the child. In doing so, he is marked by the mob boss for betrayal all while replacement killers are hired to kill Lee and finish his mission. Fearing for his own family’s safety, Lee goes to Meg, a master at forging passports. All Lee wants is to get back to China to protect his loved ones. While at Meg’s place, he gets her caught up in his drama and she is then pulled along for the ride. They have to try and survive and also do everything they can to prevent the cop’s kid from being killed.
This film was made early in Antoine Fuqua’s career. He did a good job with it, as it matches the tone and intensity of a lot of those Hong Kong gangster films that Chow was in, especially the ones directed by John Woo.
In addition to Chow Yun-fat and Mira Sorvino, we are also treated to the talents of Michael Rooker, who excels in action movies. Rooker plays the cop and the father of the kid who is the mob boss’ target. While he gives the heroes some difficulty, initially, he changes his tune when he realizes their situation and sees them risk their lives for his kid.
This isn’t close to being the best Chow Yun-fat movie out there but it is still pretty damn enjoyable and a great English language vehicle to help make the guy a household name in the English speaking markets.