Release Date: June 29th, 1987 (London premiere)
Directed by: John Glen
Written by: Richard Maibaum, Michael G. Wilson
Based on: characters by Ian Fleming
Music by: John Barry
Cast: Timothy Dalton, Maryam d’Abo, Joe Don Baker, Art Malik, Jeroen Krabbé, John Rhys-Davies, Robert Brown, Desmond Llewelyn, Caroline Bliss
Eon Productions, United International Pictures, Metro-Goldwyn-Mayer, 131 Minutes
“Believe me, my interest in her is purely professional.” – James Bond
I tend to go against the grain. I usually say things about movies or other pop culture stuff that leaves people baffled. For instance, Timothy Dalton is my favorite James Bond. Yes, he is. And yes, I loved every other actor that played the character and especially have a soft spot for the Connery and Moore chapters in the franchise but Dalton was and always will be my James Bond.
Maybe my love for Dalton is because he was the current Bond when I really got into James Bond movies. The Living Daylights was the first Bond film that I saw in the theater and as a kid, a year later, I was on the set of Licence to Kill in the Florida Keys. I didn’t get to meet Dalton but I got to see him standing around, as James Bond in the flesh.
Unfortunately, due to lawsuits in the early 1990s, Timothy Dalton only got to play James Bond twice: in 1987’s The Living Daylights and in 1989’s superb Licence to Kill. This film is my least favorite of the two but I still thoroughly enjoy it.
The thing that brings this chapter in the Bond franchise down a notch or two, is that it still carries over some of the cheesiness from the Roger Moore era. While that stuff worked for Moore, it really wasn’t a beneficial approach to Dalton’s style as the character. And frankly, it feels as if the movie was written with Roger Moore in mind, before Dalton was cast as the British super spy.
However, some of the hokey bits are still amusing, like the cello case sled scene, for instance.
Another weak point with this film though, is the villains. While I like Joe Don Baker and always have, he just doesn’t feel like a Bond villain. He plays more like a one-off baddie from a show like Magnum P.I. and doesn’t truly feel like someone worthy of Bond’s attention like members of SPECTRE, Francisco Scaramanga, Franz Sanchez, Raoul Silva, Alec Trevelyan, Hugo Draz or hell, even Max Zorin. At least Baker would get a second go in the series when he appeared in two of the Pierce Brosnan films a decade later: Goldeneye and Tomorrow Never Dies.
I did enjoy Maryam d’Abo as the Bond girl in this film. She was a departure from the overly glamorous women of previous movies. Not to say that she wasn’t beautiful and classy but she played a musician, a real artist type. She was cute and sexy but not a supermodel out trying to marry a rock star. She was also sweet and innocent, even though the first time you encounter her, she’s wielding a sniper rifle.
We also get the great John Rhys-Davies in this and I kind of wish that his character would have returned to the series later on. I feel as if he would have been an ally to Bond again, had Timothy Dalton’s run as the character lasted longer than two films. But the man got to team up with James Bond and Indiana Jones in his career, not to mention being a pivotal member of the Fellowship in the The Lord of the Rings movies.
The Living Daylights is a better than average James Bond outing, enhanced by the charm and gravitas that is Timothy Dalton. Plus, the followup to this film would be one of the best in the entire series. The Living Daylights was a good introduction to a really good Bond that we unfortunately didn’t get to see much more of.