Release Date: March 11th, 2017 (SXSW)
Directed by: John Carroll Lynch
Written by: Logan Sparks, Drago Sumonja
Music by: Elvis Kuehn
Cast: Harry Dean Stanton, David Lynch, Ron Livingston, Ed Begley Jr., Tom Skerritt, Beth Grant, James Darren, Barry Shabaka Henley, Yvonne Huff
Superlative Films, Divide / Conquer, Lagralane Group, Magnolia Pictures, 88 Minutes
“There are some things in this world that are bigger than all of us… and a tortoise is one of ’em! ” – Howie
I was glad that I got to catch this in the theater during it’s very scant run in my town. It was only playing at 10 a.m. for a few days, actually. Luckily, I had a day off with nothing to do.
With Harry Dean Stanton passing away, a few months back, this film is his swan song. Honestly, there really wouldn’t have been a better film for this legendary actor to say “goodbye” with than this one and it felt tailor made for Stanton, as if he knew this was it and wanted to give his two cents on mortality.
The picture is directed by John Carroll Lynch, who you may know as the nicer one of the two McDonald’s brothers in The Founder or as the guy that saved Morgan in The Walking Dead or as that serial killer clown in American Horror Story. The guy is an accomplished actor but with Lucky, he proved he has some talent behind the camera, as well.
Stanton is very relaxed but has no problems displaying his fear of death and entering into the unknown. He has a pretty atheistic stance about the universe but late in life, he still wonders and is apprehensive about the inevitable. He talks of nothingness and none of this mattering in the big scheme of the universe but he is a man that fears not having left his mark.
He is surrounded by a great cast and I absolutely adored David Lynch in this, as Lucky’s friend Howie. He is a man that had a hundred year-old tortoise but it escaped. The tortoise is really a symbol about mortality in the film and its escape parallels the end of Lucky’s life.
Lucky isn’t a perfect movie or even a great movie. However, it’s pretty damn good at what it sets out to do, which is to create a platform for Stanton to say goodbye to those of us who have loved the man’s work for decades.
This is a sweet and subtle film that allows Stanton to showcase his wide array of talents in a delightful and respectable way. It probably won’t mean as much to those who aren’t familiar with Stanton but it does feel like a true representation of the man for those of us who have enjoyed him over the years.
There really isn’t a sweeter way to go out than what Stanton got to accomplish with Lucky. Kudos to the man and to those behind this film, which feels more like an artistic and cinematic homage to the man, than just a movie about death.