Release Date: July 22nd, 1947 (New York City premiere)
Directed by: Edward Dmytryk
Written by: John Paxton
Based on: The Brick Foxhole by Richard Brooks
Music by: Roy Webb
Cast: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Sam Levene, Jacqueline White
RKO Radio Pictures, 86 Minutes
“My grandfather was killed just because he was an Irish Catholic. Hating is always the same, always senseless. One day it kills Irish Catholics, the next day Jews, the next day Protestants, the next day Quakers. It’s hard to stop. It can end up killing people who wear striped neckties.” – Police Captain Finlay
Crossfire is a pretty unique film-noir, as it is a very socially progressive movie for its time. The main crime in the film surrounds the murder of a Jewish man and it is discovered that the murder was inspired by bigotry and hatred. This was pretty heavy stuff for 1947 but kudos to RKO Pictures, Edward Dmytryk and John Paxton for putting this picture together. No, not the John Paxton that helped lead the Chicago Bulls to many NBA championships in the 1990s, he spelled his name “Paxson”. This John Paxton was a screenwriter that breathed life into film-noirs like Cornered and Murder, My Sweet.
This film also stars the three Roberts of film-noir: Young, Mitchum and Ryan. Okay, Young wasn’t in a lot of noir but Mitchum and Ryan lived in the genre. Plus, you also have Gloria Grahame, one of the queens of noir. Sam Levene also pops up in this but I feel like he is in almost every noir picture of the 1940s and 1950s. Then again, Elisha Cook Jr. probably has him beat.
Crossfire, despite its star power and its interesting premise, isn’t as good as I had hoped it would be. It’s not a bad movie but it just sort of exists and plays out without a lot of real suspense or tension.
The Academy thought it was pretty damn good though, as it was nominated for five Oscars. Plus, it won the award for Best Social Film at Cannes that year. But awards are typically political statements, even in the 1940s, and the people who hand out awards have always had a bias towards socially conscious cinema. From an accolades perspective, Crossfire greatly benefited from its subject matter.
I don’t mean to sound like I am in any way bashing the picture. It just wasn’t Oscar worthy, in my opinion. Especially in a year where we had Kiss of Death, The Lady From Shanghai, Nightmare Alley, Brute Force and Out of the Past. And those are just some of the film-noirs that I would rank higher not to mention all the other great films from other genres.
The three Roberts all put in solid performances though, as did Grahame. Edward Dmytryk is also a very good director. This is a very good film but when one has to compare it to what else was coming out at the time, it just isn’t on the same level as the films I mentioned in the previous paragraph.
If you love film-noir and any of the actors in this movie, it is still worth your time. I liked the picture and I would certainly watch it again but probably as part of a double feature or marathon.