Release Date: June 30th, 1947
Directed by: Jules Dassin
Written by: Richard Brooks, Robert Patterson
Music by: Miklós Rózsa
Cast: Burt Lancaster, Hume Cronyn, Charles Bickford, Sam Levene, Charles McGraw (uncredited)
Universal Pictures, 98 Minutes
“[to Captain Munsey] That’s why you’d never resign from this prison. Where else whould you find so many helpless flies to stick pins into?” – Dr. Walters
Brute Force was directed by Jules Dassin, who did a hamdful of noir pictures, all of them pretty interesting in their own regard. He always brought a sense of authenticity and realism to his pictures. This one is unusual, as it takes place in a prison and the only time we really leave the confines of the cold walls and steel bars is through flashbacks of life before incarceration.
The film starts off with a bang, as we are treated to ominous shots of the prison and a pounding yet beautiful score by Miklós Rózsa. The whole vibe in the first few shots reminds me a lot of the experience of playing the first Batman: Arkham Asylum video game, except shown in a film-noir visual style.
Burt Lancaster and Hume Cronyn both star in this and both actors are absolutely magnificent. Lancaster plays a prisoner that wants to escape, as his wife is dying of cancer. Cronyn plays the head prison guard and truly is the embodiment of evil, as he is a power hungry maniac ruling over the men in the penitentiary with a strong arm and a heavy club.
Ultimately, I thought that this film would defy the morality censors of the time but the old adage that crime doesn’t pay is still made very apparent in this picture. I wouldn’t say that the film has a predictable ending and for something from the 1940s it has a much harder edge than you might expect. The big finale is especially satisfying for those wanting a film-noir with serious gravitas and without fear of pushing the envelope too far.
The characters are well written with diverse personalities that make each one stand out in their own way. The camaraderie between the prisoners feels genuine and you care about Lancaster’s criminal crew more intimately than you would background players in other films from this era.
The movie is well shot with nice cinematography by William Daniels, who also worked on the underrated Lured, as well as Naked City, which was also directed by Jules Dassin. He gave the prison life, even if it felt dead, cold and overbearing.
Brute Force was a surprise for me. I expected something fairly decent with Dassin at the helm and with Lancaster and Cronyn in front of the camera. What I experienced was something much better than the norm with bigger balls than the 1940s typically allowed on the silver screen.