Also known as: Personal Column (UK)
Release Date: September 5th, 1947
Directed by: Douglas Sirk
Written by: Leo Rosten, Jacques Companéez, Simon Gantillon, Ernest Neuville
Music by: Michel Michelet
Cast: George Sanders, Lucille Ball, Charles Coburn, Boris Karloff, Sir Cedric Hardwicke, Alan Napier
Hunt Stromberg Productions, United Artists, 102 Minutes
“There’s a homicidal maniac loose somewhere in the vast honeycomb of London. A maniac with a weakness for young, pretty girls and not a thing we’ve done has brought us one inch nearer his apprehension.” – Inspector Harley Temple
To be honest, I have never really seen Lucille Ball outside of “I Love Lucy” and her other comedy shows. It was pretty eye-opening and refreshing to see her in this, something much more dramatic and serious. And even though she isn’t the top billed star, she is the central focus of this film.
The film also stars George Sanders, Charles Coburn, Sir Cedric Hardwicke, Alan Napier and a fantastic and wacky performance by horror legend Boris Karloff. There’s a whole lot of male energy present in this movie but Ball outshines them all. Well, except for maybe Karloff, simply because this was a unique character for him and he nailed it.
In this picture, we meet Lucille Ball’s Sandra Carpenter, an American girl in London. Her best friend is murdered and the police convince Sandra to go undercover and be the bait needed to lure out the killer. She agrees, as she wants justice for her friend. However, even though this isn’t a comedy film, we see Ball have to play off of several strange characters. She does amuse the audience in this film but not in the same way that one is used to seeing. She never sabotages the tone of the plot by being in this. She shows her wit and charisma but does the material justice and never crosses the line in a comedic sense.
Lured was also an early film of Douglas Sirk’s but here, he already shows how skilled a craftsman he is. It has a clean, big budget, pristine look. This wasn’t a low budget film per se but it just looks wonderful. The cinematography was handled by William H. Daniels, a veteran when he did this. Daniels would follow this up with the absolutely stunning looking noir films Brute Force and The Naked City.
It is also worth mentioning that this was a remake of a French film Pièges. That was a Robert Siodmak picture. What’s interesting about that, is that he would also become a well accomplished noir director with classic like The Killers, Phantom Lady, The Spiral Staircase, The Dark Mirror and Criss Cross.
Lured is highly entertaining, highly energetic, witty and a testament to the many layers of Lucille Ball’s talent. Plus, if you are a Boris Karloff fan, you really need to see him in this.