Release Date: August 21st, 1943
Directed by: Mark Robson
Written by: DeWitt Bodeen, Charles O’Neal
Music by: Roy Webb
Cast: Tom Conway, Jean Brooks, Isabel Jewell, Kim Hunter
RKO Radio Pictures, 71 Minutes
“No, that room made her happy in some strange way I couldn’t understand. She lived in a world of her own fancy. She didn’t always tell the truth. In fact, I’m afraid she didn’t know what the truth was.” – Gregory Ward
The Seventh Victim is a movie that sort of walks a tightrope between multiple genres while being completely its own thing. It is a mixture of noir, horror, mystery and could mostly be considered a very dramatic thriller. It is also quite short at 71 minutes but it packs a solid punch despite its dainty running time. Tiny and meaty, it is like the filet mignon of early film-noir.
The cool twist of this picture, is that the story revolves around the existence of a Satanic cult in Manhattan. That’s some pretty dark and mysterious stuff for a film from the early 1940s but the movie doesn’t get quite as dark as you might hope, which is really the one thing that worked against it in my opinion. I was hoping for a sort of hybrid between early noir and something in the style of Universal’s horror franchises, at the time. RKO still made a dark and interesting thriller, regardless.
In this film, we meet a young female student who comes to discover that her older sister has been missing. She sets off, leaving her education behind, in an effort to find her missing sister. As the film rolls on, we learn that the older sister has some sort of involvement with a cult that worships the Devil. She exhibits strange behavior and is actually suicidal and wants to die. After betraying her cult, the punishment is death. However, she doesn’t want to die because someone else wills it, she wants to die when she is damned good and ready.
The Satanic sister is played by Jean Brooks and she puts in an enchanting performance. She is like a statuesque phantom in the night, exuding beauty and mystery. The younger sister, played by Kim Hunter, is a perfect contrast to the darkness and brings a bright beacon of light and hope into the story. Tom Conway is the top billed star but this film really stars the two sisters.
Ultimately, the picture is a bit disjointed and lacking the gravitas I had hoped it would have but it is interesting and entertaining. Plus, the performances of the two main actresses is really good. Additionally, few women have been able to exhibit a haunting allure in the way that Jean Brooks does in this picture.