Release Date: August 2nd, 1985
Directed by: Tom Holland
Written by: Tom Holland
Music by: Brad Fiedel
Cast: Chris Sarandon, William Ragsdale, Amanda Bearse, Stephen Geoffreys, Roddy McDowall, Art Evans
Vistar Films, Columbia Pictures, 106 Minutes
“Hello, Edward. You don’t have to be afraid of me. I know what it’s like being different. Only they won’t pick on you anymore… or beat you up. I’ll see to that. All you have to do is take my hand. Go on, Edward. Take my hand!” – Jerry Dandridge
This was one of those movies I discovered at the video store, as a kid in the 80s. Once I found it, I rented it almost monthly for a year or two. That was, until the crappy sequel came out and sucked the wind out of this film’s sails. It could have been a stellar franchise but it wasn’t. However, this picture is still a classic and always will be, in my opinion. Frankly, they should have just left the movie alone and never made a sequel or that reboot.
Chris Sarandon makes a pretty good vampire. While he is technically the star of the picture, this really is a good small ensemble piece, though.
William Ragsdale really gets the most screen time. This was before he had that cool Fox sitcom Herman’s Head and this was his most famous role outside of that show. His girlfriend is played by Amanda Bearse, who would also go on to be in a major Fox sitcom shortly after, Married… with Children.
The cast was rounded out by veteran Roddy McDowall, who is superb in this, and Stephen Geoffreys, whose character “Evil Ed” gave birth to two of the most overused catchphrases in the 1980s: “You’re so cool, Brewster!” and “To what do I owe this dubious pleasure?”
The film is an 80s teen horror romp. It exists in a similar vein to movies like Night of the Creeps and The Monster Squad, albeit more violent and less child friendly than the latter.
The special effects are pretty good but this was when practical effects were at an all-time high and the effects maestros of the 80s were on a different level, especially in regards to their ingenuity and creativity. The wolf effects, at the end, as well as the final battle between the heroes and the vampire were great. There’s a reason why I love movies like this, the aforementioned and An American Werewolf In London. Even at their most absurd, they still have a sense of realism because what you see is there in the physical world on set.
Fright Night is one of the top horror films of the 80s that isn’t connected to a famous slasher. It sort of revitalized the fantasy horror genre at a time when Jason Voorhees was chopping through everything in sight.