Release Date: April 11th, 2003
Directed by: Rob Zombie
Written by: Rob Zombie
Music by: Rob Zombie, Scott Humphrey
Cast: Sid Haig, Bill Moseley, Sheri Moon, Karen Black, Rainn Wilson, Chris Hardwick, Erin Daniels, Jennifer Jostyn, Matthew McGrory, Dennis Fimple, Robert Allen Mukes, Tom Towles, Walton Goggins, Harrison Young, Irwin Keyes, Michael J. Pollard
Spectacle Entertainment Group, Universal Pictures, Lions Gate Films, 88 Minutes
“Goddamn, motherfucker got blood all over my best clown suit.” – Captain Spaulding
House of 1000 Corpses was a movie that was highly anticipated before it came out, as everyone wanted to see what Rob Zombie could do as a legit film director. I remember there being delays and it felt as if this was never going to come out and when it did, it didn’t show up in my town and was sort of sparsely released unless you happened to live in a big city. I had to wait for the DVD to drop, six months later.
For the most part, Zombie did not disappoint with his debut and while it was a strong homage to films in the vein of the Texas Chainsaw Massacre franchise, it was still very much a part of Rob Zombie in style.
Although, it mostly feels like a really long music video littered with gore and deplorable actions. Not that that is a bad thing but it sort of limits the film’s audience and narrative, as the film’s style is put in front of everything else.
House of 1000 Corpses works for what it is, even if some of the stuff is really outlandish. This style wouldn’t work as well for Zombie going forward, as all of his films after his second one are pretty awful. His overemphasis on highlighting white trash and gross shit really wears thin after The Devil’s Rejects, the only sequel to this picture.
In fact, I grew to dislike Zombie’s work so much that I hadn’t sat down and watched this movie in years. I’m glad I revisited it but I see more flaws in it now than I initially did a decade and a half ago. But it is cool seeing this ensemble cast of a lot of talented people, many of which are horror icons, playing off of each other.
Also, Zombie’s wife, who he casts in every film, hadn’t grown tiresome and grating yet. After The Devil’s Rejects she would become as unwelcome on the screen as her husband as a director.
The real highlights of this film is the amazing work of Sid Haig, who isn’t in it enough, and the role played by Bill Moseley, which is really a retread of his more famous character Chop Top from The Texas Chainsaw Massacre 2.