Also known as: Gojira no gyakushû, lit. Counterattack of Godzilla (Japan), Gigantis the Fire Monster (US – original title)
Release Date: April 24th, 1955 (Japan)
Directed by: Motoyoshi Oda
Written by: Shigeru Kayama, Takeo Murata, Shigeaki Hidaka
Music by: Masaru Sato
Cast: Hiroshi Koizumi, Setsuko Wakayama, Minoru Chiaki, Takashi Shimura
Toho, 81 Minutes
Godzilla Raids Again was a quickly pushed out sequel to the original Gojira. And like its predecessor, the film was shot in black and white, making it the only film in the franchise, apart from the original, that wasn’t released in color.
In the United States, despite the success of Godzilla: King of the Monsters, the American re-edit of Gojira, this film didn’t take the Godzilla name and was initially release as Gigantis the Fire Monster. In fact, English dubbed versions of the film still make reference to the monster being called “Gigantis”.
This film introduced the beloved kaiju Anguirus, who fought Godzilla in this picture but would go on to be a top ally for decades. And this is actually the film that gave birth to kaiju battles, as the previous Godzilla picture only featured the title monster.
Compared to the original, which was an exceptional motion picture, this is a very poor sequel to it. While it was successful, maybe Toho wasn’t keen on its quality, as Godzilla was shelved for seven years until he was brought back to battle King Kong in one of the best kaiju epics of all-time.
There are several reasons why this film is lacking compared to the two chapters that sandwich it.
To start, while tokusatsu master Eiji Tsuburaya did handle the special effects, some mistakes were made during the production. The frame rate of the camera was not set correctly and the big kaiju battles are fast paced to the point that the monsters move around at impossible speeds and it almost plays like a slapstick comedy segment every time that Godzilla and Anguirus tie-up. It just looks hokey and doesn’t match up with the action of any other Toho kaiju picture. Plus, it is missing audio effects and the battles just sort of happen to music, looking like a goofy spastic dance.
Another reason why the film suffers is that Godzilla mastermind Ishirō Honda was not behind the camera. Additionally, the script was written by people that weren’t mainstays in the franchise in the same way that Shinichi Sekizawa and Takeshi Kimura were.
The film is still enjoyable for Godzilla fans and it does have its positives.
Toho regulars Hiroshi Koizumi and Takashi Shimura star in the picture and give good performances.
Also, the overall visual look of the film is fairly solid. The scene where Godzilla comes to shore and the military fills the sky with flares looks really cool and holds up well. Also, the scene where Godzilla is walking through the snow covered valley, surrounded by icy mountains, is a beautiful sight where the contrast between the monster and his environment is enhanced by the black and white presentation.
In the long history of Godzilla films, this one is mostly forgettable other than the debut of Anguirus and the kaiju versus kaiju concept that would become the standard in just about every kaiju movie made after this one.