Release Date: October 11th, 1944
Directed by: Otto Preminger
Written by: Jay Dratler, Samuel Hoffenstein, Betty Reinhardt, Ring Lardner Jr. (uncredited)
Based on: Laura by Vera Caspary
Music by: David Raksin
Cast: Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, Judith Anderson
20th Century Fox, 88 Minutes
“I don’t use a pen. I write with a goose quill dipped in venom.” – Waldo Lydecker
I was talking to my mum about noir pictures and she told me that this was one of her favorites. We actually came to talk about it while also discussing Vincent Price, a favorite actor of mine. Wanting to work my way through Otto Preminger’s films, this has been in my queue on the Criterion Channel for a bit. So I decided to check it out and because I also like the rest of the cast, especially Dana Andrews.
The fact that I hadn’t seen this yet, is surprising. Granted, my mum may have had it on when I was a kid and I was too busy killing Optimus Prime with my Megatron figure for the 142nd time.
Also, all I knew of Otto Preminger, back then, was that he was one of the three actors to play Mr. Freeze on the 1960s Batman television show. It wasn’t until much later that I discovered he was an accomplished director and a real auteur.
Laura is quite exceptional and a great example of Preminger’s style. It has alluring camerawork and amazing tracking shots. It also utilizes some quick edits, such as a sweeping tracking shot going from one subject to another and then cutting right back to the first subject. While this isn’t a big deal by today’s standards, it was a pretty unique and nontraditional approach to shooting, at the time. But film-noirs were very experimental and tried a lot of new things, Preminger being one of the directors that really led the charge.
Like a typical noir, the film uses a high contrast but the lavish interiors of most of the sets keeps things less dark and gritty than many other pictures in the genre. Granted, the narrative and tone are dark but it exists in contrast to the opulence and elegance that lives on the screen and captures the saucy New Yorkers that populate this mystery tale.
The film also employs a small cast and everyone plays their part to perfection. It was really cool seeing a young Vincent Price in this but the film was really carried by the strong performances from Dana Andrews, Gene Tierney and Clifton Webb.
Andrews was the debonair and clever detective and I think he would’ve made a perfect Batman in the 1940s. Tierney really owned her role as the title character and did a fine job of luring in the males of the picture. Webb, however, was the real meat and potatoes of the picture. I loved his character and he was a real cantankerous fussy pot, for lack of a more fitting description.
This was a great film-noir with a lot of layers to it. It has a major shocking twist that really flipped the film on its head in the best way possible. Preminger created a visual and narrative treasure, a film that is a great monument to the noir style, even if the picture takes some of its own liberties that propel it away from a few specific genre tropes.