Release Date: December 22nd, 1992 (Germany)
Directed by: Sam Firstenberg
Written by: John Corcoran
Music by: Craig Stuart Garfinkle, Robbie Patton
Cast: David Bradley, Mark Dacascos
Cannon Films, 94 Minutes
“Why couldn’t we just be brothers?” – Drew Collins
The poster for American Samurai has the tagline “…Bloodsport with blades”. That is an incredibly accurate description. Although, this pales in comparison to the awesome Bloodsport.
However, many fans of Cannon’s various ninja films see Sam Firstenberg as the premier 80s ninja genre director. Also, Firstenberg left the American Ninja series after part 2 and fans never got to see him work with the second star of that series, David Bradley. This film, however, teams these two guys up and gives you a taste of what American Ninja 3 could have been if Firstenberg stayed on to direct the debuting Bradley.
That being said, this is nowhere near as good as the two Firstenberg American Ninja movies or his two films before that, when he was working with Japanese ninja actor Sho Kosugi. This is better than American Ninja 3 and 4, however. But I would put American Ninja 5, slightly ahead of this.
This film brings back John Fujioka, who was Joe Armstrong’s ninja master in the first American Ninja. Also, it is the first major film role for martial arts bad ass Mark Dacascos. The film actually pits Bradley against Dacascos, who plays his jealous foster brother but legitimate son to his father’s samurai legacy. Dacascos wants to prove to his father that he is superior to his adopted son. He leaves his father and foster brother behind, becomes yakuza and forces his brother to eventually fight to the death in the climax of the movie.
American Samurai actually plays like a live-action version of an arcade fighting game from the early 90s. It predates the Street Fighter and Mortal Kombat movies but definitely takes its inspiration from those franchises and the Jean-Claude Van Damme movies Bloodsport, Lionheart and Kickboxer.
Filmed in Turkey, you don’t get to see too much of the geography, as most of this takes place indoors and on confined sets. The arena is pretty drab but then so are the fighters that populate it. You didn’t have a cast of cool and unique fighters like you saw in Bloodsport or Lionheart.
American Samurai is entertaining enough if you are into 80s and 90s martial arts pictures. It certainly isn’t exceptional in any way but David Bradley gets to work with a better director and it opened some doors for Mark Dacascos.