As of late, I have been reading a ton of books on filmmaking and film history. The main reason is due to this website. I want to go through everything I can find on the subject of film in an effort to review it, so that others know which books are better resources than others.
Celluloid Mavericks isn’t so much about the filmmaking process, as it is about the long history of independent films in the United States. It is a thick book jam packed full of history and insight and it is one of the best works I’ve found on the subject.
Merritt goes through the earliest days of indie film and discusses the monopoly that the big studios had and how that all changed, opening doors for maverick filmmakers who didn’t want to have their art be controlled by a conglomerate of massive studios and government regulation.
The book really gets going when it gets into the late 1950s and the quick pace from that point on never stops. Realistically, this is where real indie films were born, leading into the experimental 1960s and the wide open 1970s. Being that the book was published at the end of the last century, means that it doesn’t get passed the 1990s but it is still a great reflection on indie film, as a whole, in the 20th century.
While the book’s cover may be a bit misleading, as it makes it seem like it covers just the 90s, that is only a small portion and the final chapter of this whole body of work.
Greg Merritt was thorough and his analysis along the way is really helpful and adds context to the films he’s discussing.