Also known as: Shin Gojira (Japan), Godzilla: Resurgence (alternate)
Release Date: July 25th, 2016 (Tokyo premiere)
Directed by: Hideaki Anno, Shinji Higuchi
Written by: Hideaki Anno
Music by: Shirō Sagisu
Cast: Hiroki Hasegawa, Yutaka Takenouchi, Satomi Ishihara
Toho, Cine Bazar, Funimation, 120 Minutes
“What is that glow?” – Rando Yaguchi
I saw Shin Godzilla in the theater last October but I didn’t review it then because I was taking a long (and much needed) break from writing. I figured that I would tackle it, once the Blu-ray version came out and I could relive the experience. Plus, I was curious as to how the dubbing would come out.
This was one of the most anticipated Blu-ray releases of all-time for me. In fact, I don’t actually buy hard copies of movies anymore unless it is something exceptional or I want to add the latest chapter of a series I have been collecting to my film library. I own a DVD or Blu-ray of just about every Godzilla movie, so I had to buy Shin Godzilla.
The film is slightly less effective and impactful on a smaller screen and for a second viewing. However, it is, without a shadow of the doubt, one of the greatest kaiju pictures ever produced.
Shin Godzilla is truly the first film to recapture the magic of the original 1954 Gojira. Other series reboots and American remakes have tried but none of them really hit the mark like this film. Shin Godzilla really brings back the horror element to the series. As much as I liked the 2014 American Godzilla, it didn’t bring with it a true sense of dread and terror and the title monster was a good guy. Here, we have Godzilla like he was originally intended, a gigantic force of nature that will destroy absolutely everything in his path without question.
To be completely honest, I have always been more of a fan of Godzilla as a hero and protector. I have also been a fan of kaiju movies having kaiju on kaiju action. However, the roots of the franchise are steeped in Godzilla being a destroyer and being so menacing that there was no need for a monster for him to battle. He was originally a living, breathing, rampaging force of nature that wouldn’t stop unless he was defeated by man.
Shin Godzilla is a departure from the hokier tone of the vast majority of Godzilla pictures. It focuses on human politicians and scientists as they are caught off guard by the appearance of this giant monster. They have to act fast and try to figure out the best way to stop the beast in a race against time, as the Americans are threatening to level the monster (and Tokyo) with a nuke. Japan obviously doesn’t want to experience another bomb being dropped on their soil, so they must come together and find a way to stop Godzilla.
This is the best acted Godzilla film that there has ever been. It is also the greatest, as far as scope and cinematography. While Ishirō Honda’s Gojira was a visual marvel for its time, Shin Godzilla is a pristine and super realistic approach to what Honda’s original established from a stylistic standpoint. While the original still looks beautiful, this newest incarnation of the series isn’t limited in scope and it gives a much more wide open and vast presentation. You truly understand the scale of Godzilla, compared to his surroundings. Plus, Tokyo is much larger than it was in 1954 and this film needed to showcase that while making the kaiju significantly larger, as well.
While purists weren’t initially happy with Godzilla being a creation of computer graphics over a rubber suit and more practical effects, I don’t think that anyone can argue against the change after seeing the picture. That is, unless some of these fans wanted something more akin to the sequels. Frankly, we’ve had sequels and rubber suits for over sixty years and it was time for the Godzilla franchise to catch up to the technology available. This certainly wouldn’t have had the same dramatic and realistic effect had we gotten another actor in a rubber suit. Besides, kaiju filmmaking of this style still exists. Just watch any modern Ultraman show if you need to see rubber suit kaiju. Godzilla and Toho are the godfathers of the genre and they really needed to take the monster into the future for the franchise to have new legs and live on for another sixty years.
I think it is hard to knock the special effects in this film, anyway. Toho did a magnificent job in making something that looks this good in a day and age where ILM and Weta have completely changed the game. Sure, Shin Godzilla‘s effects aren’t as good as the latest Star Wars films but for a smaller studio working out of Japan, this is a top notch movie, through and through. It actually turned out much better than I thought it would, as my biggest concern about making the monster digitally was the limitations Toho would face compared to bigger budget American blockbusters. Toho absolutely nailed it though. Besides, the same fanboys bitching about a digital Godzilla where the same ones praising the digital kaiju in Pacific Rim just a few years ago.
The only negative I can come up with, and it’s not even really that big of a negative, is that this film doesn’t play as good on a small screen. But then, what kaiju movies do? You want to see large monsters as big as possible. Also, on the second viewing, it isn’t as interesting simply because so much focus is on the humans in the story trying to solve the problem. I already know the answers and it makes some of these scenes just feel really drawn out the second time around. Granted, I try to look at a film from the perspective of how it effected me as a first time viewer and I can’t really say a bad thing about it in that regard. The first time I saw this, I was captivated and pinned to my seat at full attention, as the politicians and scientists tried to stop a seemingly unstoppable menace.
Shin Godzilla was a much needed reinvention and it will be interesting to see where Toho goes from here, as the bizarre twist ending opens up all sorts of questions and avenues that can be explored. I do hope that we do get to see Toho’s modern reinvention of some of the other classic monsters as well but as good as this film was with just Godzilla, it really isn’t necessary. But maybe King Ghidorah will show up and Godzilla might eventually return to being the protector Earth needs.
No matter what happens going forward, we will always have this movie, which is better than anything I could have anticipated.