Release Date: January 26th, 2000 (Sundance)
Directed by: Jenniphr Goodman
Written by: Duncan North, Greer Goodman, Jenniphr Goodman
Music by: Joe Delia
Cast: Donal Logue, Greer Goodman, James ‘Kimo’ Willis, David Aaron Baker
Good Machine, Sony Pictures Classics, 87 Minutes
“Both men and women want to have sex. It’s natural, except we’re on different timetables. Women want to have sex, like, y’know, fifteen minutes after us, so alright, if you hold out for twenty she’ll be chasing you for five.” – Dex
I never saw the Tao of Steve until now. However, throughout the years since it came out, I heard many people talk about it with enthusiasm. Leonard Maltin even devotes a chapter to it in his book 151 Best Movies You’ve Never Seen. Plus, I have always been a fan of Donal Logue.
Unfortunately, this movie didn’t resonate with me like it did with other people. Maybe it’s because I watched it now, seventeen years after its release. So it doesn’t tap into nostalgia but instead feels like a film full of some of the worst 1990s romantic comedy cliches.
It is enjoyable in the fact that Logue is as charismatic as ever but even then his presence is bogged down by less talented actors and a script that feels like it was written by philosophy majors that were only one semester deep but thought they had reached some sort of twenty-something enlightenment.
Additionally, the music is dated in a bad way. Yes, there are great tunes from the late 90s but The Tao of Steve uses some lowest common denominator safe pop rock dreck that needs to just stay in the 90s and not venture out into the year 2000 (or beyond), when this film was released.
I don’t know if it’s a Santa Fe thing but the fashion in the film feels incredibly dated, even for 2000. In fact, the guys all look slobbish and the girls all look like tomboys at a Smash Mouth concert.
The Tao of Steve is not as interesting as you would think. His zen philosophy on picking up women has more holes in it than Swiss cheese but then again, that is part of the plot. Still, you can see the holes from a mile away but this film tries to play it up a lot more than it should.
It feels like this film tried to use Donal Logue in a way to create their own version of The Dude from The Big Lebowski. However, despite Logue’s strong performance, the script isn’t even a tenth as brilliant as the Coen’s Lebowski script.
I don’t want to hate on this film, I went into it expecting to like it. For me, it just failed in all the parts that aren’t Donal Logue.