Also known as: Der amerikanische Freund (Germany)
Release Date: May 26th, 1977 (Cannes)
Directed by: Wim Wenders
Written by: Wim Wenders
Based on: Ripley’s Game by Patricia Highsmith
Music by: Jürgen Knieper
Cast: Dennis Hopper, Bruno Ganz
Axiom Films, 127 Minutes
“It’s December 6th, 1976. There’s nothing to fear but fear itself. I know less and less about who I am, or who anybody else is.” – Tom Ripley
I didn’t know much about this movie going into it. I came across it on FilmStruck as a part of the Criterion Channel. Also, it wasn’t until I was halfway through it that it dawned on me that Dennis Hopper was playing the same Tom Ripley that Matt Damon played in The Talented Mr. Ripley.
I’m glad that I discovered this film however, as it was fantastic and a really refreshing experience, as I’ve been in a bit of movie limbo lately.
From a directorial and cinematic standpoint, this is one of the best films I have ever seen. The framing of every shot is damn near perfection. The visual composition feels alive and the world truly feels authentic and lived in. There is a vivid flare to the picture that is similar to the Italian giallo style. The European cityscapes and late 70s New York City give the movie a genuine grittiness that perfectly emphasizes the tone of the film. The American Friend is one of the best looking and mesmerizing motion pictures I have ever seen and I don’t say that lightly.
Bruno Ganz and Dennis Hopper are both stellar in this picture. Their relationship changes and evolves throughout the story and you never really know what each man thinks of the other. Add in the criminal elements of the plot and all the twists and turns and this is very true to the film noir style albeit modernized with incredible visual style.
Director Wim Wenders would go on to have a great career but here, he gives a real nod to those who influenced his work. In the roles of the gangster characters, Wenders cast Gérard Blain, Nicholas Ray, and Samuel Fuller – all three being directors that Wenders had a deep admiration for. He essentially gave props to his influences and mentors in the same way Quentin Tarantino would do decades later.
This film primarily takes place in Europe and is a German and French production but most of the movie is in English. There are some subtitled bits but surprisingly not as many as you would think.
I don’t want to get into the plot too much, as I went into this blindly and fell in love with it. I’d prefer for others to have the same experience, especially in a day and age where movies are spoiled by their trailers alone.
It is hard comparing the film to anything, as I can’t think of anything else like it. It is an amalgamation of a lot of cool things that can be taken away from more famous films but the overall composition is truly original. And frankly, this film deserves more recognition than it has.