Release Date: September 26th, 2016 (Fantastic Fest)
Directed by: M. Night Shyamalan
Written by: M. Night Shyamalan
Music by: West Dylan Thordson
Cast: James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu Richardson, Jessica Sula, Brad William Henke, M. Night Shyamalan (cameo), Bruce Willis (uncredited)
Blinding Edge Pictures, Blumhouse Productions, Universal Pictures, 117 Minutes
It has been a really long time since I have wanted to see an M. Night Shyamalan movie. When I first caught the trailer for Split, I was very intrigued. Then I saw Shyamalan’s name attached and thought, “Well, this might bring you back to greatness, buddy. Don’t screw it up.” After having seen this, I can say that he certainly didn’t screw it up.
James McAvoy has never put in anything other than great performances. In this film, we get to see McAvoy at his greatest, up to this point in his career. He’s still young and has a lot of years left but McAvoy gave us an Oscar caliber performance. Why he wasn’t nominated for anything is kind of baffling. Maybe it’s because this got a wide release in January of 2017 and he’ll be considered next year. But by that point, he won’t be fresh in the Academy’s minds and they snub lots of great performers every year.
Alongside McAvoy, is Anya Taylor-Joy, a young woman who is becoming quite a good actress. This is the best that I have seen her but now that she is joining the X-Men franchise in next year’s New Mutants, I think she has definitely made her mark and will have a busy career going forward. She certainly deserves it after her performance in Split.
Betty Buckley was superb as the therapist while Haley Lu Richardson and Jessica Sula did a good job as the other girls held captive by McAvoy’s multiple personalities.
Brad William Henke stood out as the creeper uncle. I always love Henke’s work but he always gets the hulking creeper roles. I’d like to see him get bigger roles, the guy deserves it.
The film also gives us the obligatory M. Night Shyamalan cameo, as well as a Bruce Willis cameo. The Willis part ties into another great Shyamalan picture and ties these two movies together, as Shyamalan has plans to make a film that is a sequel to Split and that other movie.
Now I don’t want to talk too much about the plot, this isn’t a film that should be spoiled in any way. But I do want to explain why this works so well, as Shyamalan has struggled with narrative in the last decade and a half.
So, the only real spoiler is that Split has no big twist ending. Well, not really. I’ll explain.
It is a good solid story, it has a lot of revelations but none of those typical Shyamalan attempts at dumping the film on its head while screaming, “A-ha! I shocked you! It’s a twist!”
You see, I feel like Shyamalan painted himself into a corner with his famous twist endings. It got to the point where a twist was expected and people spent the whole movie bracing themselves and also, trying to figure it out. Eventually, the twists became really mundane and weren’t all that shocking.
In some films, like The Village, it felt like Shyamalan couldn’t decide what to do. Should the beasts be real or imaginary? What he gave us was a bizarre and awful twist in that regard and then another twist that completely destroyed the film. The twists became messes that ruined otherwise effective pictures.
In Split, the big twist is that there is no twist. And maybe that is Shyamalan’s greatest use of the twist, whether that was his intention or not.
After a slew of films that just didn’t cut the mustard, Shyamalan proved to me and the rest of the film-going masses, that he’s still got it. He may have been lost for too long but he found himself once again. I hope he’s learned from those many mistakes because I want Shyamalan on his A-game. He’s extremely talented on his best days and he’s a director that has shown that he is much better than some of the schlock he’s put out. Split is proof enough that The Sixth Sense and Unbreakable weren’t flukes.
Pairs well with: the films that sandwich it: Unbreakable and Glass.