Also known as: Zombi (Italy)
Release Date: September 1st, 1978 (Italy)
Directed by: George A. Romero
Written by: George A. Romero
Music by: Goblin, Dario Argento, De Wolfe Music
Cast: David Emge, Ken Foree, Scott Reiniger, Gaylen Ross, Tom Savini, Joseph Pilato, John Landis
Laurel Group, United Film Distribution Company, 116 Minutes (Italy), 127 Minutes (US)
I’m reworking my way through The Living Dead series of films. I’m going through the George A. Romero ones first and will then look at the films involving John A. Russo, as the two split the franchise down different creative paths after they made the original Night of the Living Dead in 1968.
The second Romero film and the most highly regarded of the series is this one, Dawn of the Dead.
This film came out ten years later and was a co-production between the United States and Italy, as Romero teamed up with Italian horror and giallo maestro Dario Argento. Argento edited the film for Italian audiences, who would see it first, and also brought in Goblin, who worked with him on the music for several of his pictures, most notably Suspiria, which came out a year before this.
In Italy, the film was released as Zombi and it would spawn a series of unofficial sequels, the most famous being Lucio Fulci’s Zombi 2. That was released in the States, oddly enough, as Zombie.
To start, Dawn of the Dead is a damn good zombie picture. However, I am in the minority here, as I don’t consider it to be the best of the Romero Living Dead mythos. I actually prefer the other two of the original trilogy and especially consider Day of the Dead to be the best. But I’ll get into why, when I review that one.
Dawn of the Dead is still pretty stellar and it does show the world in a much broader sense than the original. The thing I really liked is that the zombies are everywhere but society hasn’t fully crumbled at the start of the film. Things fall apart over the course of the story, as we learn through television and radio broadcasts until things from the outside world go silent.
In this chapter, two SWAT team members, a helicopter pilot and his girlfriend land on top of a mall. They decide to live there, as it has power and it has all the things they will need to survive and then some.
The bulk of the story deals with the men cleaning out the zombies and securing the mall. They take out the living dead and fortify the entrances by moving semis in front of them. Eventually, things go south when a biker gang shows up, trashes the mall and bring the outside zombies swarming in. This isn’t just a movie where our heroes fight zombies, they also have to deal with a biker gang who want to take their home but ultimately ruin it for everyone.
This is the first film, that I know of, that shows humans having to defend themselves from other humans in a zombie scenario. This was the prototype of almost every zombie story after it. Hell, The Walking Dead is, at this point, a seven season television series based on this concept.
Dawn of the Dead is one of the best zombie movies ever made. To many, it is the best. The trilogy of films it is a part of are responsible for creating the genre and its tropes. It is also interesting, when compared to modern zombie entertainment, as the zombies are still fresh and newly created and therefore, aren’t just ragged flesh hanging off of bones.